{"id":256,"date":"2016-07-21T15:46:38","date_gmt":"2016-07-21T15:46:38","guid":{"rendered":"https:\/\/urbanmole.is\/?p=256"},"modified":"2025-04-02T09:42:55","modified_gmt":"2025-04-02T09:42:55","slug":"super_sonnet","status":"publish","type":"post","link":"https:\/\/urbanmole.is\/?p=256","title":{"rendered":"Why Superman Wears Tight Pants &#8212; On The Outside."},"content":{"rendered":"<div id=\"attachment_254\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/urbanmole.is\/wp-content\/uploads\/2016\/07\/SuperSonnet-e1469110425242.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-254\" class=\"size-medium wp-image-254\" src=\"https:\/\/urbanmole.is\/wp-content\/uploads\/2016\/07\/SuperSonnet-300x225.png\" alt=\"Copyright Urban Mole 2016\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-254\" class=\"wp-caption-text\">Copyright Urban Mole 2016<\/p><\/div>\n<p>Not, as the title might suggest, because he is a narcissistic arse who seeks to demoralise his foes and shame his friends one undulation at a time. His costume is a construct designed to closely adhere to the physical representation of the Platonic Form that Superman is: a bulging powerhouse. Coincidentally, this is exactly what a sonnet is not.<!--more--><\/p>\n<p>But there are some similarities. The form is representative of a certain type of power. You can see with a glance the topology of the work. There are no meandering stanzas of arbitrary length, no questioning the finality of the white space past the fourteenth line*. Whatever the sonnet&#8217;s here to do will be done before you can turn the page. To borrow from (Adam West&#8217;s) Batman: kapow!<\/p>\n<p>There is, however, an inversion here: the sonnet&#8217;s form is giving the piece its power, whereas Superman is still a Titan when he&#8217;s typing as Clark Kent. Undress a sonnet and the power disperses. Why? Let&#8217;s talk elements. We&#8217;re carbon based lifeforms; mind is an epiphenomenon of an embodied (carbon based) brain; words &#8212; language &#8212; are a product of mind; metaphorical geological forces in the form of a sonnet applied to the metaphorical carbon atoms of expressed thought produce metaphorical diamond, later cut and polished by that same mind to produce reflective &#8212; rhyming &#8212; facets and axes of symmetry. Without the compression of the sonnet form, the small but potent revelation becomes a breccia, a scree slope, a sand castle. Not unpleasant in themselves, but some things in art need a keener edge.<\/p>\n<p>We can&#8217;t talk about purity in poetry, and the mention of quality is discouraged, so let&#8217;s talk inclusions. A diamond&#8217;s value will drop the more inclusions it has. Minor inclusions are not visible to the naked eye; you need a trained poet to spot them. Some inclusions are syngenetic, that is, formed when the diamond was being made. Some natural imperfections can&#8217;t be avoided, such as those that result from the consonant \/ vowel distribution across words of a given language and the approximate nature of their phonemes. Experience how the grass and the roof change from the north to the south of England, and how the roof becomes a Dach upon the continent. But some inclusions arise because they leech in from extraneous material. There&#8217;s no fifteenth line of a sonnet*; the form demands more focus. Some inclusions are epigenetic: a scratch, a facet too many, a fracture. Inclusions that occur in the cut and polish. A rhyme can&#8217;t be maintained or, in a modern sonnet, sufficiently avoided. The volta, the turn, usually found in line nine, is missed. A quick reworking to Shakespearean and a turn on line thirteen, the start of the rhyming couplet, but now there are three quatrains where once was an octave and a sestet and your fine stone turns to coal.<\/p>\n<p>Why bother with the form at all? Artistic expression should be as free as possible, unbounded, not subject to pull, massless, able to drift from the earth like a liberated atmosphere leaving us Mars like, Martian. Superman&#8217;s job would be so much easier.<\/p>\n<p>The sonnet can have the power of the philosophical essay, the potential for thesis and antithesis, the drama of obfuscation and revelation &#8212; as all poetry can &#8212; but amplified for the demands it places upon the poet. Superman needs those sculpted pants in order to differentiate him from every other athletic Caucasian male: the (super)man demands the form. The sonnet is different from other poems by virtue of the form it&#8217;s given. Superman just happens to be great; a sonnet must make greatness happen.<\/p>\n<p>* There are some sonnets of irregular length, for example Gerard Manley Hopkins curtal sonnets (12.5 lines) and George Meredith&#8217;s <em>Modern Love<\/em> sonnet sequence (16 lines). If you&#8217;re inclined to pedantry, change the above text to &#8220;no questioning the finality of the white space past the <em>n<\/em>th line&#8221; and &#8220;There&#8217;s no <em>n+1<\/em> line of a sonnet&#8221;, where <em>n<\/em> is the length of the sonnet you were shouting out as a counter example.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not, as the title might suggest, because he is a narcissistic arse who seeks to demoralise his foes and shame his friends one undulation at a time. His costume is a construct designed to closely adhere to the physical representation of the Platonic Form that Superman is: a bulging powerhouse&#8230;.<\/p>\n","protected":false},"author":3,"featured_media":254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[53],"tags":[79,77,78],"class_list":{"0":"post-256","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-poetry","8":"tag-poetic-form","9":"tag-sonnet","10":"tag-superman"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/urbanmole.is\/index.php?rest_route=\/wp\/v2\/posts\/256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/urbanmole.is\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/urbanmole.is\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/urbanmole.is\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/urbanmole.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=256"}],"version-history":[{"count":3,"href":"https:\/\/urbanmole.is\/index.php?rest_route=\/wp\/v2\/posts\/256\/revisions"}],"predecessor-version":[{"id":262,"href":"https:\/\/urbanmole.is\/index.php?rest_route=\/wp\/v2\/posts\/256\/revisions\/262"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/urbanmole.is\/index.php?rest_route=\/wp\/v2\/media\/254"}],"wp:attachment":[{"href":"https:\/\/urbanmole.is\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/urbanmole.is\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/urbanmole.is\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}