I was on the train recently, staring at the rails and the blur of sleepers between. If I very quickly moved my eyes against the direction of travel, I caught a glimpse of an individual sleeper and its neighbours; I was able to slow the flow of data just enough to pick out a little detail. Among the many boundaries of (human) perception, high speed, in the sense of a given volume of information over time, was hiding the little things. And making me boss-eyed.
Crow Work: A Kill
A Kill‘s power is in its fifteenth line, in the only spoken text of the poem: “It’s a boy!” It’s a fulcrum and it prises the perception of a brutal, lingering death to show a birth. But it’s no gift.
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