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Limits

Copyright Karin Mora 2016 Ah, the beautiful view of the woods outside, thin enough to thread a truck through and full of that tree, and the one with the conkers. I used to play conkers as a child but was told not to eat them. We ate them in autumn…
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Traffico

Copyright Karin Mora 2016 In Italy, a tick rode a doe across a camber very early, before most commuters were up; before people knew there were deer in the city. It was safe: I was driving; I could stop; the road was clear. The doe walked like a jay in…
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Speak-See and Mouth-Mind Topology

kiki bouba, Copyright Urban Mole 2016 I read a German children's book on woods and woodland creatures recently, and found myself stuck on page fifteen saying "hohl, hohl, hohl" like a Danish Santa Claus. It means hollow, and it makes hollow when you say it. Hohl. It's connected to words…
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n00b to sudoer, an introduction

Copyright Karin Mora 2016 Let's assume the following: that strong AI exists, that it's a cyborg, networked intelligence comprised of both digital and organic nodes, and that it's live in the wild. Terrifying(ly interesting)! Another form of intelligent life on Earth, created by and utilising us. Leaving aside the imminent…
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The Importance of Stillness

Copyright Urban Mole 2016 I was on the train recently, staring at the rails and the blur of sleepers between. If I very quickly moved my eyes against the direction of travel, I caught a glimpse of an individual sleeper and its neighbours; I was able to slow the flow…
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The Book

Kipling, Rudyard  / Wikimedia Commons / Public Domain It's chasmic, the fall of words down lines curved by the half open page to the black gulch below, where shadows form on sunny days or in the half light, oblique; at fifty degrees and cool as the cover is under the…
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Crow Work: A Kill

Copyright: Faber & Faber A Kill's power is in its fifteenth line, in the only spoken text of the poem: ``It's a boy!'' It's a fulcrum and it prises the perception of a brutal, lingering death to show a birth. But it's no gift.
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London Undergrind

Binker Golding (Copyright Karin Mora 2016) London can never be silent. Like any city it's a generator, always on, always on maximum. Doors and windows do little to dull the amplitude of its eight million residents. The sound translates to galleries and museums, whose stone floors and vaults echo schools…
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